Held from the 1st until the 16th of June, the Bristol Biennial is a coming together of the vibrant Bristol arts community, and looks set to be one of the biggest local art events of the summer. Visitors can expect Open Studio events, independent film screenings, artist talks and performances and, perhaps most intriguingly, "horse drawings", all of which will be on display across the city.
A theme has been chosen for selected artists and studios to work on and the inaugural year's is 'Storytelling', an imaginative theme which will undoubtedly allow artists to explore folk law, fairy tales, literature and much more besides, cumulating in a vibrant display of artwork, performances and film.
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| Will Kendrick |
The Bristol Biennial team explain:
"Storytelling exists in all facets of life: we tell stories and anecdotes to engage others and break down isolating barriers between individuals
or groups. Storytelling can enrich our lives, it can be cathartic,
it can impart wisdom or illustrate values and customs.
The event will also host international artists and curators, creating a universal dialogue about the nature of identity and communication through exhibitions, performances and symposiums."
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| Horse Painting, a installation piece by Lina Löfstrand |
Here at Made In Bristol we're not ashamed to admit we are more than a little bit excited for this event. Spread across over 25 locations around Bristol, and featuring a whole host of creative talent in the visual arts field, there's something for everyone, and looks set to be an art event like no other.
Also our friends at Drawn in Bristol are taking part with an specially created illustration exhibition exploring ‘Myths & Legends’ from around the world. You are invited to embark on a journey with a selection of Bristol’s finest illustrative storytellers, taking you to a bygone world populated by mythical creatures, heroic characters and wondrous places. Expect to discover the ancient, the alarming and the magnificent at The Showroom at the bottom of Park Street (opposite Collage Green) from June 10 -17.
They are even having a launch party with Pimms & cake on Sunday June 10.
More details here.
We spoke with the chief organiser of the event, Catherine Bourne, and asked her to shine a light on the up coming festival events.
What is the Bristol Biennial?
The inaugural Bristol Biennial Community Arts Festival is a large scale event that highlights the diversity of Contemporary and Community arts based practice in Bristol. Our aim is to encourage community participation in the arts, while also encouraging exchange with artists who work in both a craft based and a conceptual manner. With Storytelling as the theme, we have selected practitioners both local and international, whose work has a community focus by commenting on the economic or sociocultural realities that affect us.
Our central outcomes for this project are to promote Bristol as city with a vibrant art centre, while also representing some of the diverse wider local community that make this city unique.
Who are you and what is your background?
I’m Catherine Bourne one of the main festival organisers. I have trained in fine arts at a number of Australian universities. As a visual artist I’ve participated in residencies and exhibited in Australia, China, The Netherlands, Norway and the UK. I worked for a time as an administrative assistant at the Australian Centre for Contemporary Art. I’ve also performed and toured as a musician and with musicians in Australia, Asia and Europe.
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| Martyn Cross |
Why Bristol?
We live here because we love it! Bristol has such an amazing array of talent. The diversity of artist run spaces, independent arts related projects and the support for empty shops initiatives such as Capacity were critical factors. We felt that the diverse Bristol arts community could benefit from exposure that incorporated many of the elements that were so crucial to this city but had yet to be brought together in a large scale event. So in this way my engagement with this Festival brings together both personal and professional factors.
Who are you most looking forward to seeing exhibit?
It’s hard to pick favourites as I feel so invested with all of the participants. If I was to consider some that best represent our shared values I would say Bari Ziperstein’s 1095: One Years Worth of Other Peoples Plates, a project that invites the public to donate items that are re-distributed via a public event, Martyn Cross’s Crumbling Into Dust that incorporates the stories and urban myths associated with English eccentric characters and the MadeScapes group who ask us to question both the economic and virtual (digital and internet enabled) realities that impact on our understanding of what it is to communicate in the contemporary world.
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| Madescape |
Which has been your favourite space to programme in Bristol?
The Capacity venues have been a pleasure to program. These non-traditional venues such as the Showroom, Parlour or Looking Glass provide such a great service by assisting the arts community, so it has been very rewarding to know that our participation can go in some way to promoting their aims.
For me these spaces best represent how in participation with the local Council, the arts community can be assisted to support those who need opportunity while also allowing public access to the arts outside of a formal institutionalized art environment. It’s also rewarding to know that these spaces, so integral to the development of artists, can be assisted to encourage the support of a wider audience in a manner that allows the participation of the wider Bristol community.
What's the biggest challenge when organising an event of this size?
It would have to be the issues that relate to the administration and financial realities that factor into the realization of such a large scale project. What softens the blow is the generosity we have received from divergent aspects within the Bristol community such as the Zion Community Art Space and the Bristol City Council’s Neighbourhood Arts project. It has been rewarding to know that without formal corporate sponsorship that such a project could be realised.
On another level it means that we have had to be resourceful by seeking ways to run our events in a manner that sees the best possible outcomes from limited means. In this way the support we have received from our wholly based volunteer Biennial team, and the Bristol arts scene and community based initiatives, have been crucial to overcoming these challenges.
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| Martyn Cross |
Any advice for visitors to make the most of the event?
By attending our public launch on Friday June 1st at the Festival Hub 32 College Green, you can meet the artists and community groups involved. For those who want to know more about the individual projects we’re holding artist talks at our various venues and the Biennial Hub and at RWA on the 8th and 14th Of June, there’s more info online. We’ve been busy distributing maps and event info, and the printed programme will be launched along with the festival so we’d encourage visitors to grab those.
If the Bristol Biennial was a biscuit, what biscuit would it be?
We’d probably be Jammy Dodgers!
www.bristolbiennial.com